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home the gear i use videos reviews drone reviews camera reviews accessory reviews lens reviews lighting reviews software reviews tricks & tips tutorials modifications workflow contact time for new cameras – testing the sony fs5 & a7sii shooting with the canon c300 over the last few years has been a real pleasure, the form factor worked perfectly for my single op shooting style and i was rarely disappointed by the image quality. the c300 was always a little crippled by it’s recording capability though, it’s highest frame rate option of 50 fps at 1280×720 seemed disappointing even when the camera was released. i generally like to shoot events at 50 frames per second because it allows me to record audio whilst retaining the option to slow things down a little in post if required. the c300 does this really well at 720p but while that was seen as just a smaller hd format three years ago, today it’s barely enough resolution even for web delivery. during my final shoots of last year i decided that for 2016 i would need to invest in at least one new camera which offered the following options as a minimum… ability to shoot at least 50fps continuous at 1080p ability to shoot super slow motion at 1080p ability to shoot 4k at 25p min 50 mbps internal hd recording (with option to record higher to ext recorder) ability to autofocus when required ability to output better quality to an external recorder if required must work with canon l lenses (full frame capability via speed booster a bonus) small and light enough to carry all day whilst still offering professional features. i won’t bore you with all the options i considered, there’s some great cameras out there and believe me i looked long and hard but the following are the ones that interested me the most. canon c300 mkii after shooting with canon c series cameras for a few years the natural progression would be to the c300 mkii , there were however a couple of reasons why i eventually decided against it. firstly i was interested in trying a camera system that would allow me to use the full frame coverage of my canon l lenses. i’ve often felt restricted by the wider end of the lensing options available for the c300 and liked the idea of using an adapter to get full use of my lenses whilst making them a stop faster. the body design of the c300 and the c300 mkii don’t allow for adapters to be used due to the distance between the mount and the sensor itself. secondly, the c300 mkii’s body alone costs over £12,000, add to that a brand new set of batteries and cfast 2 media and i’d be looking a £15,000 investment. while this isn’t dissimilar to the cost of the original c300 other camera manufactures are now offering similarly capable systems at much lower cost. sony fs7 looking at sony alternatives my first thought was the popular pxw-fs7 . priced at around £8,000 the fs7’s feature set far exceeded my requirements and it’s powerful recording capabilities would definitely provide all i need for the next few years. my good friend peter naylor owns an fs7 so luckily i had chance to have a play with one. the camera was bigger and heavier than i expected but with it’s detachable grip and adjustable arm assembly it’s designed to be operated on the shoulder and works really well in that format. i have to shoot with my camera in a lot of positions though and while the camera is adaptable to different shooting positions i found it a little cumbersome after shooting with the c300. i definitely couldn’t see myself carrying that camera round for 12 – 15 hours like i do the c300. feature wise though the fs7 is a dream and i was very tempted to just buy one and see if i could get used to the form factor but i decided it would be prudent to do a little more testing first. sony fs5 being tempted by the sony fs7 i thought it might be worth also trying out the smaller pxw-fs5 . while the camera doesn’t offer the same level of recording features as it’s bigger brother it does provide a respectable 1080 / 50 option at 4:2:2, albeit restricted to 50 mbps internally. it also provides the ability to shoot super slow motion up to 200 fps using a buffering record method which while not as useful as the fs7’s constant 200fps record rate it would be enough for me to capture what i need. the fs5 is also a lot cheaper than the previous cameras mentioned, retailing at around £5,300 and shooting on cheap sdxc media the cost of entry is a lot lower than an fs7. sony a7sii i’ve heard a lot of good things about the little sony a7sii , especially regarding how they perform in low light. having seen some great footage shot with them and reading a lot of positive reviews i really wanted to try one to see if i could really go back to shooting with a still body style camera and all of the workarounds that go with it. i get to film quite a few night time events each year, everything from band performances through to dimly lit bars and exteriors. these can present a real problem with noise so this little camera intrigued me and i wanted to see what all the fuss was about. at £2,900 this is the cheapest of the bunch although it would require a lot of additional accessories in order to provide a complete solution for use as a main camera, if at all. trying out the cameras the biggest test for any camera in my shooting year are the events i shoot for harley-davidson as they are gruelling on both me and my shooting kit. i’m usually out filming for over 15 hours each day in conditions that range from burning sunshine on dusty beaches through to filming from the back of a bike in the pouring rain. i generally have to carry everything with me that i’m going to need for any given day so building a kit that’s adaptable, portable and doesn’t restrict me creatively is important. i decided to test both the a7sii and fs5 at harley events by hiring them and spending a week working with each. i’m not planning to write full reviews of the cameras as neither are particularly new now and there’s plenty of in depth reviews on the web if that’s what you need. what i am going to do though is describe the things i was surprised by after doing my own reseacrh, any issues i had and any features that stood out as being a big reason to choose or not choose that camera. sony a7sii – harley-davidson euro festival, may 2016 first up was a harley rally in st tropez, france and for that one i decided to try out the sony a7sii . i hired a kit from cameraworks which included a metabones adapter , a movcam cage and the sony xlr-k1m audio adapter . i really wasn’t sure if the little a7 would work for me at all but i also had the c300 with me just in case. using the a7sii that week was really interesting, paired with a canon 16-35 f/2.8 on the metabones adapter most of the time i found myself really enjoying the additional sensor real estate and rediscovering what those focal lengths really offer. i did of course have to fit an nd filter to the lens for the daytime shots but rather than mess around with a variable nd i opted to use a hoya nd64 and then adjust shutter speed to get me the rest of the way to correct exposure. whilst i like to stick to 180 degree shutter where possible i’m not precious about changing that depending on movement in the shot. the a7sii has a really good oled evf, actually way better than anything i’ve used on a video camera to date, although the eye piece itself is far from comfortable and doesn’t block out external light fully. the lcd is a bit too small for my liking and i found that using the focus magnification feature was a must. in direct sunlight however the lcd was unusable so when it came to filming anything other than head height it was a struggle. i had to use the evf to focus and then watch what little i could see on the lcd to frame the movement in my shots, a little to ‘spray and prey’ for my liking. the big drawbacks of the a7 for me were the fiddly menu system, the button layout and the general handling. this it to be expected though and wa

URL analysis for pauljoy.com

http://www.pauljoy.com/goto/dji-x5r/
http://www.pauljoy.com/category/tricks-and-tips/tutorials/
http://www.pauljoy.com/2015/10/new-x5-inspire-1-cameras-from-dji/#comments
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http://www.pauljoy.com/2015/10/sigma-18-35-f1-8-art-lens-for-video/#comments
http://www.pauljoy.com/goto/hoya-nd64-88mm/
http://www.pauljoy.com/goto/canon-50mm-l/
http://www.pauljoy.com//#wrapper
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Whois Information

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Domain Name: PAULJOY.COM
Registry Domain ID: 1369977392_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.meshdigital.com
Registrar URL: http://www.domainbox.com
Updated Date: 2015-01-02T00:00:00Z
Creation Date: 2008-01-03T00:00:00Z
Registrar Registration Expiration Date: 2020-01-03T00:00:00Z
Registrar: WEBFUSION LIMITED
Registrar IANA ID: 1515
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.8779770099
Reseller: 123Reg/Webfusion
Domain Status: clientDeleteProhibited
Domain Status: clientUpdateProhibited
Domain Status: clientTransferProhibited
Registry Registrant ID:
Registrant Name: Paul Joy
Registrant Organization: Paul Joy
Registrant Street: 2 Mission lane
Registrant Street: The heath
Registrant City: Fakenham
Registrant State/Province: Norfolk
Registrant Postal Code: NR21 8LH
Registrant Country: GB
Registrant Phone: +44.1328856357
Registrant Phone Ext:
Registrant Fax Ext:
Registrant Email: [email protected]
Registry Admin ID:
Admin Name: Paul Joy
Admin Organization: Paul Joy
Admin Street: 2 Mission lane
Admin Street: The heath
Admin City: Fakenham
Admin State/Province: Norfolk
Admin Postal Code: NR21 8LH
Admin Country: GB
Admin Phone: +44.1328856357
Admin Phone Ext:
Admin Fax Ext:
Admin Email: [email protected]
Registry Tech ID:
Tech Name: Webfusion Ltd
Tech Organization: Webfusion Ltd.
Tech Street: 5 Roundwood Avenue
Tech Street: Stockley Park
Tech City: Uxbridge
Tech State/Province: Middlesex
Tech Postal Code: UB11 1FF
Tech Country: GB
Tech Phone: +44.8712309525
Tech Phone Ext:
Tech Fax: +44.8701650437
Tech Fax Ext:
Tech Email: [email protected]
Name Server: ns3.xnameserver.net
Name Server: ns2.xnameserver.net
Name Server: ns1.xnameserver.net
DNSSEC: unsigned
URL of the ICANN WHOIS Data Problem Reporting System: http://wdprs.internic.net/
>>> Last update of WHOIS database: 2015-09-02T19:08:42Z <<<

The Data in this WHOIS database is provided
for information purposes only, and is designed to assist persons in
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NOT INDICATE DOMAIN AVAILABILITY.

  REGISTRAR WEBFUSION LTD.

  REFERRER http://www.123-reg.co.uk

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =pauljoy.com

  PORT 43

  SERVER whois.123-reg.co.uk

  ARGS pauljoy.com

  PORT 43

  TYPE domain

DOMAIN

  NAME pauljoy.com

NSERVER

  NS1.XNAMESERVER.NET 193.150.34.40

  NS2.XNAMESERVER.NET 91.230.181.40

  NS3.XNAMESERVER.NET 193.227.246.40

STATUS
clientDeleteProhibited http://www.icann.org/epp#clientDeleteProhibited
clientTransferProhibited http://www.icann.org/epp#clientTransferProhibited
clientUpdateProhibited http://www.icann.org/epp#clientUpdateProhibited

  CHANGED 2015-01-02

  CREATED 2008-01-03

  EXPIRES 2020-01-03

  REGISTERED yes

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